Italian Post-Modernist Writing
co-edited by Richard Milazzo
Shantih, Vol. 4, No. 1 (Summer-Fall 1978)
Contributors:  Nanni Balestrini, Corrado Costa, Tomaso Kemeny, Giulia Niccolai,
Gastone Novelli, Martino Oberto, Giovanna Sandri, Gianni-Emilio Simonetti,
Adriano Spatola, Gian Pio Torricelli


The Waters of Casablanca:
Analogic and Ablative Poiesis Towards Ontologic Writing in Italy
Associate editor: Richard Milazzo.  Chelsea, No. 37 (December 1978)
Contributors:  Nanni Cagnone, Mario Diacono, Rubina Giorgi, Alfredo Di Legge,
Martino Oberto, Raffaele Perrotta, Emilio Villa


“Ana-tomia:  A Portfolio”
(from the Writings and Atmospheric Drawings of Leonardo da Vinci)
Giuseppe Risso, Cospaia, co-edited by Richard Milazzo
(New York and Milan:  Out of London Press, May 1979)


The Invisible Philosophy:  French and Italian Writing,
co-published and co-edited by Richard Milazzo
Gizeh, No. 1 (Fall 1980)
Contributors:  Luigi Ballerini, Nanni Cagnone, Jacques Garelli, Pierre Lartigue,
Angelo Lumelli, Richard Milazzo, Eugene Nicole, Claudio Olivieri, Raffaele Perrotta, Lionel Ray


The Syntactic Revolution:
Collected Works of Abraham Lincoln Gillespie
co-published, edited, and with an introduction and textual notes
by Richard Milazzo
(New York and Milan:  Out of London Press, September 1980)


La rosa disabitata:  poesia transcendentale Americana, 1960-1980
co-edited by Richard Milazzo
Materiali 56 / Testi 3
(Milan, Italy:  Feltrinelli Editore, May 1981)
Contributors:  Vito Acconci, Charles Bernstein, John Cage, Clark Coolidge, Lyn Hejinian, Dick Higgins,
Frank Kuenstler, Sol J. Leon, Jackson Mac Low, Bob Perelman, Bern Porter, Jerome Rothenberg, Lee Vassel.


Pontormo’s Diary
A facsimile edition with a transcription by Emilio Cecchi and a translation of the dairy
with a portfolio of works, by Rosemary Mayer
co-published, edited and with an introduction, by Richard Milazzo, and an essay by Julia Ballerini
(New York and Milan:  Out of London Press, October 1982)


Beauty and Critique:
Hypothetic Structurations of Cotenability Toward a Theory of Modal Criticism in Art,
edited by Richard Milazzo
(New York:  TSL, 1982)
Contributors:  Ericka Beckman, Jack Goldstein, Barbara Kruger, Allan McCollum,
Robert Longo, Charles Bernstein and Susan B. Laufer, Deniz Firincioglu, Semih Firincioglu,
Karsten Harries, Charles Riley, Valentine Tatransky, Maureen Connor and Meg Shore,
Donna Dennis, Harmony Hammond, Carla Liss, Rosemary Mayer, Linda Mussmann,
Alexander Alland, Michèle Cone, Angus Fletcher, Sophie Hawkes,
Jun Maeda, Raffaele Perrotta, Ann Wilson


“Pictures for Unrequited Images”
edited by Richard Milazzo
in Partial Texts:  Essays and Fictions, in Wedge, Nos. 3/4/5 (1983).
Contributors:  Ericka Beckman, Troy Brauntuch, Sarah Charlesworth, Mark Innerst,
Richard Prince, James Welling.

Effects:  Magazine in New Art Theory
co-published and edited by Collins & Milazzo
No. 1 (“Semblance and Mediation”), New York, 1983. 
Cover:  Robert Longo. 
Contributors:  Ericka Beckman, Gretchen Bender, Ross Bleckner, Troy Brauntuch,
Tricia Collins and Richard Milazzo, Jack Goldstein, Mark Innerst, Barbara Kruger, Louise Lawler,
Robert Longo, Allan McCollum, Peter Nagy, Steven Parrino, Richard Prince,
David Salle, Tyler Turkle.
The cover was designed by Richard Milazzo; the design and layout for it and the rest of the magazine was by Alan Belcher.
The type was provided by Peter Nagy.  


“Pictures for Unrequited Images I:
James Welling – Folio (1977-1982)”
co-edited by Richard Milazzo
Il Cobold Magazine, No. 11 (April-June 1984)

Effects:  Magazine for New Art Theory
edited by Collins & Milazzo
No. 2 (“Concept and the New Content”), New York, 1984. 
Contributors:  Ericka Beckman, Gretchen Bender, Ross Bleckner, Don Bonham,
Peter Carravetta, Sarah Charlesworth, Barbara Kruger, Stephen Lack, Louise Lawler, Robert Longo,
Peter McCaffrey, Allan McCollum, Jan Mohlman, Peter Nagy, Joel Otterson, Steven Parrino,
Richard Prince, Eric Sparre, Gaetano Testa, Joan Wallace and Geralyn Donohue,
James Welling, Michael Zwack.
The cover was designed by Steven Parrino; the layout for the rest of the magazine was by Alan Belcher.
The type was provided by Peter Nagy.  


Collaboration:
Constructs for the New Scrutiny
co-edited by Collins & Milazzo,
New Observations, No. 20 (1984). 
Cover:  Sherrie Levine and Laurie Simmons. 
Contributors:  Sherrie Levine and Laurie Simmons, Eric Bogosian and Michael Zwack,
Tricia Collins and Richard Milazzo, Carole Ann Klonarides and Aura Rosenberg,
Alan Belcher and Peter Nagy, Louise Lawler and Allan McCollum, Ross Bleckner and Barbara Kruger,
Gretchen Bender and Robert Chapman, Alice Albert and Steven Parrino,
Ericka Beckman and Mike Kelley, Grazie Terribile and Sohei Hashimoto,
The Offices of Fend, Fitzgibbon, Holzer, Nadin, Prince & Winters,
ABC No Rio, Sarah Charlesworth and Robin Winters, Peggy Cyphers and Susan Springfield,
General Idea, Cynthia Carlson and Rosemary Mayer, Kiki Smith and David Wojnarowicz,
Phil Mariani and Brian Wallis, Judy Geib and Mark Innerst, Mike Glier and Jenny Holzer,
Joan Wallace and Geralyn Donohue


“Pictures for Unrequited Images II:
Michael Zwack – The History of the World”
co-edited by Richard Milazzo
Il Cobold Magazine, No. 12-14 (March 1985)

Effects:  Magazine for New Art Theory
edited by Collins & Milazzo
No. 3 (“Netural Trends”), New York, 1986.
Cover:  Sarah Charelesworth. 
Contributors:  Craig Adcock, Vikky Alexander, Jane Bauman, Tom Brazelton, Barry Bridgwood,
Sarah Charlesworth, Susan Davis, Carroll Dunham, Peter Halley, Mark Innerst,
Gérard Van Der Kaap and Peter Klashorst, Kevin Larmon, Jonathan Lasker, Frank Majore,
Franco Marinai, Joseph Masheck, Allan McCollum, Carlo McCormick, Richard Milani,
Peter Nadin, Joseph Nechvatal, Richard Prince, David Robbins, Giuseppe Salvatori,
Ettore Bonessio di Terzet, Meyer Vaisman, Julie Wachtel,
Oliver Wasow, Robin Weglinski.
The cover was designed by Richard Milazzo; the design and layout for it and the rest of the magazine was by Alan Belcher.
The type was provided by Peter Nagy.  

“Tropical Codes”
edited by Collins & Milazzo
Kunstforum, Bd. 83 (March/April/ May 1986).
Contributions:  Ross Bleckner:  Exhausted Contracts; James Welling:  Party Favors; Kevin Larmon:
  Yellow Table; Sarah Charlesworth:  Natural Signs – from Structural Reformulation to Iconic Abstraction;
Peter Nadin:  The New Moral Order; Joel Otterson:  Higher Syntax; Meyer Vaisman:  Special Norms; 
Peter Nagy:  The Mutant Social; Peter Halley:  Brutal Dimensions; Not Vital:  The Inapposable World; 
Jeff Koons:  Tragic Equilibrium; Jonathan Lasker: The Qualities of Irony; Haim Steinbach:  
Conversational Objects; Michael Zwack:  Inexistentialization and the Human Promise; 
Gretchen Bender:  Total Effect – Neutralization and the Psychedelic Concept; Joseph Nechvatal:  
Grace Under Pressure; Oliver Wasow:  A Groundless Phenomenology; Joel Fisher:  
Recognition in Reverse; Saint Clair Cemin:  Perverse Objectifications; 
Annette Lemieux: Unbranded Cattle.
 

“Tropical Codes II”
edited by Collins & Milazzo
Kunstforum, Bd. 84 (June/July/August 1986).
Contributions:  Richard Prince:  Affluent Scrutiny; Allan McCollum:  
The Blank Spectacle – from Surrogates (Generic Paintings) to Incidental Pictures and Perpetual Photos
 to Perfect Vehicles; Carroll Dunham:  The Process of Automatic Appeal; Robert Gober:  
The Subliminal Function of Sinks; Olivier Mosset: Found Abstraction. 

“Radical Consumption and the New Poverty: A Discourse on Irony and Superfluity,”
edited by Collins & Milazzo (New York: New Observations, October 1987).
Contributions: Ross Bleckner, James Welling, Peter Nagy, Sarah Charlesworth, Gretchen Bender,
Allan McCollum, Peter Halley, Jonathan Lasker, Haim Steinbach, Jeff Koons, Philip Taaffe, Robert Gober,
Not Vital, Saint Clair Cemin, Annette Lemieux, Sal Scarpitta, Meg Webster, Abraham David Christian,
David Diao, Suzan Etkin, Joel Otterson, John Dogg, Ti Shan Hsu, Joel Fisher.

“Pictures for Unrequited Images III:
Ericka Beckman – Common Carriers (1984)”
Co-edited by Richard Milazzo
Il Cobold Magazine, No. 16 (December 1987)

“Tropical Codes III”
edited by Collins & Milazzo
Kunstforum, Bd. 92 (December 1987 / January 1988).
Contributors:  Jeff Koons, Philip Taaffe, David Diao, Saint Clair Cemin, Annette Lemieux, 
Charles Clough, Walter Robinson, Abraham David Christian, John Dogg, 
Ti Shan Hsu, Sal Scarpitta, Meg Webster.
Cover:  Jeff Koons, Two Kids, 1986.  
Stainless steel, 58 x 36 x 36 cm.  
Jeff Koons’s first cover.


A Curatorial Project by Collins & Milazzo:
Ford Beckman; Meg Webster; Sal Scarpitta; Robert Rauschenberg;
Change, Inc. Benefit; Token Gestures (A Painting Show); Charles Clough
(New York:  Scott Hanson Gallery, 1990)


An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns
Co-published, edited and with an introduction by Collins & Milazzo
New York:  White Columns, 1991
Contributors:  Craig Adcock, Bill Arning, Lawrence Carroll, Charles Clough, Collins & Milazzo,
Arthur C. Danto, Stephen Ellis, Susan Etkin, Peter Fend, Andy Grundberg, Peter Halley,
Eleanor Heartney, Valerie Jaudon, Howard B. Johnson, Alan Jones, Richard Kallina,
Alain Kirili, Jeff Koons, Jonathan Lasker, Annette Lemieux, Catherine Liu, Robert Longo,
Vik Muniz, Joseph Nechvatal, Lucio Pozzi, Richard Prince, Holt Quentel, Donald Rubell,
Irving Sandler, Sal Scarpitta, Barry Schwabsky, Eugene Schwartz, Nancy Shaver,
Susan Sollins,Mike and Doug Starn, Haim Steinbach, Gary Stephan, Taro Suzuki,
Tyler Turkle, Jeffrey Wasserman, Meg Webster, Stephen Westfall


Fiction South / Fiction North
co-published and edited by Collins & Milazzo
(New York, and Tallahassee, Florida:  Ridgefield Press, 1992)


99: Turn-of-the-Century Magazine
co-published and edited by Collins & Milazzo
(New York.  Vol. 1, No. 1 [Spring 1993])
Contributors:  Pamela Ball, Robert Burke, Edward Burns, Marco Colapietro,
Collins & Milazzo, Rubin L. Gorewitz, James Hyde, Alan Jones, Diane Lewis,
Stuart Schneiderman, Jessica Stockholder


99:  Turn-of-the-Century Magazine
co-published and edited by Richard Milazzo
(New York.  Vol. 1, No. 2 [Fall 1994])
Contributors:  Charles Bernstein, Fabian Cereijido, Kevin Clarke, Peter Fend,
B.H. Friedman, James Hill, Ivan Kucan, Jonathan Lasker, Joseph Nechvatal,
Tyler Turkle, Marianna Uutinen


The Gifts:  Gold / Frankincense / Myrrh
Edited by Richard Milazzo
A bilingual English/Italian three-volume set in bronze, terra cotta, and paper,
with literary writing, sculpture and drawings by Saint Clair Cemin, Abraham David Christian,
Alessandro Twombly and Not Vital
New York - Turin - Paris:  Edgewise Press, Inc.
in collaboration with Paolo Torti degli Alberti, Turin, 2000.
Editions:  500 (paper), 100 (terra cotta), 7 (Bronze)


Ross Bleckner, Examined Life:  Writings, 1972-2007
co-published, edited, and with an introduction, by Richard Milazzo
New York - Paris - Turin:  Edgewise Press, Inc., May 2009.


Peter Halley, Selected Essays, 1981-2001
co-published, edited, and with an introduction, by Richard Milazzo
(New York - Paris - Turin:  Edgewise Press, Inc., January 2013)

In the Language of Barbarians, I Would Tell You Stories
(An Anthology of Writings)
co-published, edited, and with an introduction, by Richard Milazzo
(New York - Paris - Turin:  Edgewise Press, Inc., May 2009)
Contributors: Brunella Antomarini, Bruce Benderson, Ilya Bernstein, Edward Burns,
Peter Carravetta, Carmen Firan, Andrew McCarron, Peter Nadin, Mary de Rachewiltz,
Annie Reiner, Adrian Sângeorzan, Paolo Valesio, Robert Viscusi
 

Donald Baechler, Victim of Improvement: Telegrams, Stories, Letters, Monologues, Interviews, 1985-2006 (art)
co-published, edited and with an introduction, by Richard Milazzo
(New York - Paris - Turin:  Edgewise Press, Inc., January 2017)
 

Art, Poetry, and the Pathos of Communication,
edited by Richard Milazzo.  OBSzine, No. 3 (2017). 
Contributors:  Brunella Antomarini, Donald Baechler, Bruce Benderson, Costanza Berardi,
Ilya Bernstein, Ross Bleckner, James Brown, Edward Burns, Lawrence Carroll, Peter Carravetta,
Saint Clair Cemin, Sandro Chia, Abraham David Christian, Kevin Clarke, Jill Silverman van Coenegrachts,
Colette, David Deutsch, Chris Dorland, Samantha Dietmar, Carmen Firan, Joel Fisher, Peter Halley,
Susan Hefuna, George Hildrew, Jeff Koons, Wayne Koestenbaum, Jonathan Lasker, Annette Lemieux,
Robert Longo, Andrew McCarron, Donna Moylan, Vik Muniz, Peter Nadin, Peter Nagy, Aga Ousseinov,
GianCarlo Pagliasso, Alison Pearlman, Rolando Perez, Lucio Pozzi, Richard Prince, Barbara Probst,
Lucas Reiner, Walter Robinson, Daniel Rothbart, Adrian Sângeorzan, Hans-Christian Schink,
Elliot Schwartz, Jeremy Sigler, Olivia Smith, Philip Taaffe, Paul Vangelisti.


Jonathan Lasker, New Complete Essays, 1984-2019,
co-published,  edited, and with an introduction and commentary, by Richard Milazzo.  
with a portfolio of 24 color reproductions
New York - Paris - Savignano-sul-Panaro:  Edgewise Press, Inc., January 2020


Scenes of Everyday Life: Poems of Vietnam, Indonesia, Cambodia, Russia, 2016,
by Richard Milazzo
with 64 black and white reproductions of Aga Ousseinov’s mixed media collages from
his latest series of works, Celestography, as well as images of his sculptures and
various details from his installations – some of them deriving from his participation in the
54th edition of the Venice Biennale, and from the artist windows project he designed
for Hermes of Paris, edited and with an introduction and commentary by Richard Milazzo.
Hayama and Tokyo, Japan:  Tsukuda Island Press, 2020.

Richard Milazzo, Streets of Gold: From Palermo to New York and New York to Palermo – A Memoir,
with an Italian translation by Paolo Torti degli Alberti.
(New York - Paris - Turin: Edgewise Press, Inc., 2000)