PUBLISHING / EDITORIALOUT OF LONDON PRESS   |   KUNSTFORUM INTERNATIONAL   |   WHITE COLUMNS   |   NEW OBSERVATIONS   |   INDEPENDENT CURATORS, INC.   |   TEMA CELESTE: INTERNATIONAL ART REVIEW   |   EDITION EFFECTS: PRINTS AND MULTIPLES   |   99: TURN-OF-THE-CENTURY MAGAZINE   |   EDGEWISE PRESS   |   11, RUE LARREY AT SIDNEY JANIS GALLERY   |   EDITIONS D’AFRIQUE DU NORD   |   EVERGREEN REVIEW   |   SOTOPORTEGO EDITORE   |   TSUKUDA ISLAND PRESS   

OUT OF LONDON PRESS
(New York - Norristown - Milan)
Co-Publisher (with Luigi Ballerini) and Editor


ZIEN MAGAZINE
(P.O. Box 383, 3000 AJ Rotterdam, Holland)
Correspondent, New York – “Neutral Trends”


IL COBOLD MAGAZINE
(Casella Postale n. 707, 16100 Genova, Italy)
Correspondent


EFFECTS:  MAGAZINE FOR NEW ART THEORY
(127 Second Ave., Apt. 21, New York, N.Y. 10003)
Co-founding Publisher and Co-editor (with Tricia Collins)


KUNSTFORUM INTERNATIONAL (Vorgebirgstrasse 35, D-5000 Köln, West Germany)
Co-American Editor (with Tricia Collins)


WHITE COLUMNS
(Spring Street, New York)
Board Member, Honorary Board member


NEW OBSERVATIONS
(142 Greene St., New York, NY 10012)
Editorial Consultant


INDEPENDENT CURATORS, INC.
(799 Broadway, New York, N.Y. 10003
Executive Committee


TEMA CELESTE:  INTERNATIONAL ART REVIEW
(via Augusta 17, 96100 Siracusa, Italy)
Contributing Editor


Rosenthal Porcelains
(Casinostrasse 18, P.O. Box 1520, Selb/Bayern 95100, Germany)
Co-Design Consultant


BOTTOM LINE / PERSONAL
(Boardroom Reports, Inc., 330 West 42 St., New York, N.Y. 10036)
Contributing Editor


RIDGEFIELD PRESS
(217 South Adams St., Tallahassee, Florida 32301)
Co-founding Publisher and Co-Editor (with Tricia Collins).
Receives a Charles Cowles Trust Grant in 1991


EDITION EFFECTS:  PRINTS AND MULTIPLES
(99 Spring Street, 2nd Fl., New York, N.Y., 10012)


STUX PRESS
(155 Spring St., New York, N.Y., 10012)
Co-Editor (with Tricia Collins)


99:  TURN-OF-THE-CENTURY MAGAZINE
(99 Spring St., 83 Grand St., New York, N.Y. 10013)
Co-founding Publisher and Co-Editor (with Tricia Collins)


DIFFERENTIA:  REVIEW OF ITALIAN THOUGHT
(Dept. of Romance Languages, CUNY / Queens College, 65-30 Kissena Blvd., Flushing, N.Y. 11367)
Advisory Board


EDGEWISE PRESS
(New York - Paris - Turin; 24 Fifth Avenue, No. 224, New York, N.Y. 10011)
Co-founding Publisher (with Howard B. Johnson and Joy L. Glass) and Editor


11, RUE LARREY AT SIDNEY JANIS GALLERY
(110 West 57th St., New York, NY 10019)
Publisher and Editor


EDITIONS D’AFRIQUE DU NORD
(New York - Paris - Turin - Morocco; 24 Fifth Avenue, No. 224, New York, NY 10011)
Publisher and Editor


EVERGREEN REVIEW
(61 Fourth Avenue, #4, New York, N.Y. 10003)

Advisory Board
 

SOTOPORTEGO EDITORE
(Calle Malipiero, 3080, San Marco, Venice, 30124 Italy)

Publisher (with Lawrence Carroll) and Editor


TSUKUDA ISLAND PRESS
(240-0112, Kanagawa Prefecture Miura-gun, Hayama-machi horiuchi 50, Hamaya and Tokyo, Japan)
Publisher and Editor

HISTORY OF OUT OF LONDON PRESS (1974-1982)

Nanni Cagnone, What’s Hecuba to Him or He to Hecuba?  (poetry)
Richard Kostelanetz (ed.), Essaying Essays:  Alternative Forms of Exposition
.  (literature)
Mario Diacono, Vito Acconci:  Dal testo-azione al corpo come testo
.  (art criticism)
James Reineking, Logical Space.  
(art)
Giovanna Sandri, From K to S:  Ark of the Asymmetric / Da K a S:  Dimore dell’asimmetrico
. (poetry)
Tomaso Kemeny, TheHired Killer’s Glove / Il guanto de sicario.  
(poetry)
Rubina Giorgi, Figure di nessuno
.  (philosophy)
Robert Pincus-Witten, Postminimalism:  American Art of the Decade
.  (art criticism)
Giuseppe Risso, Cospaia:  The Practice of Essence
.  (poetry)
Martino Oberto (OM), Anaphilosophia:  The Art of Language
.  (philosophy)
Annina Nosei-Weber (ed.), Discussion:  The Aesthetic Logomachy
.  (art)
Richard Milazzo (ed.), The Syntactic Revolution:  The Collected Works of Abraham Lincoln Gillespie.  
(literature)
Rosemary Mayer, Pontormo’s Diary
.  In collaboration with Julia Ballerini and Richard Milazzo(art)
Robert Pincus-Witten, Entries (Maximalism):  Art at the Turn of the Decade.  
(art criticism)
Jeremy Gilbert-Rolfe, Immanence and Contradiction:  Recent Essays on the Artistic Device.  
(art criticism)
Thomas J. Harrison (ed.), The Favorite Malice:  Ontology and Reference in Contemporary Italian Poetry
.
(poetry and philosophy)