Red Hill Press   |   Los Angeles Times   |   New York Beat   |   East Village Eye   |   Village Voice   |   Arts Magazine   |   Art in America   |   New York Talk   |   Artforum   |   Artnews   |   Zien Magazine   |   Art Papers   |   Art Journal   |   The New Criterion   |   The Buffalo News   |   Los Angeles Herald Examiner   |   L.A. Weekly   |   Il Giornale dell’arte   |   Wolkenkratzer Art Journal   |   The Toronto Star   |   The Washington Post   |   The New Yorker   |   Canadian Art   |   Parachute   |   C Magazine   |   Flash Art   |   Vogue Magazine   |   Il Mattino   |   Art & Auction   |   München Stadtzeitung   |   SüddeutscheZeitung   |   Feuilleton   |   New Art Examiner   |   New York Magazine   |   Artscribe   |   Il Giornale di Napoli   |   Art Monthly   |   The New York Times Magazine   |   The Face   |   Artscribe International |  The Los Angeles Times   |   Il Giornale dell’arte   |   Paper   |   Avenue Magazine   |   Parkett Magazine   |   Liberation   |   ArtPress   |   L’Uomo   |   Vogue   |   Artweek   |   HG Magazine   |   The Boston Phoenix   |   The Cincinnati Post   |   Berliner Kunstblatt   |   The Cincinnati Enquirer   |   Tema Celeste   |   The Journal of Art   |   Flash Art News   |   Dallas Times Herald   |   Contemporanea   |   Galeries Magazine   |   M/E/A/N/I/N/G   |   The New York Times   |   Il corriere della sera   |   Cover Magazine   |   The Atlanta Journal   |   The Atlanta Constitution |   Connoisseur   |   Frisson   |   Artweek   |   International Herald Tribune   |   The New York Observer   |   Elle   |   Bomb Magazine   |   The New York Review of Art   |   New Spaces, Fresh Faces    |   Gallery Beat  |   Artnews Letter   |   The Atlantic Monthly   |   The Journal of Prints, Drawings, and Photography   |   Town & Country   |   Evergreen Review   |   Arte   |   La Gazzetta di Modena   |   Latin Art Quarterly   |    Time Out   |   World Literature Today   |   Il Corriere di Bologna   |   La Repubblica

1982   Spatola, Adriano, and Paul Vangelisti, “Introduction,” in Italian Poetry, 1960-1980:  From Neo to Post Avant-Garde, edited by Adriano Spatola and Paul Vangelisti,
Invisible City / 2
(San Francisco and Los Angeles:  Red Hill Press, 1982).

1983  
Harrison, Thomas J., “Appendix,” in The Favorite Malice:  Ontology and Reference in Contemporary Italian Poetry, edited by Thomas J. Harrison (New York and Milan: 
Out of London Press, 1983).

1984  
Pincus, Robert L., “The East Village Becomes Chic Spot for Art Watchers,” in Los Angeles Times, Sunday, April 22, 1984.
McCormick, Carlo, “Art Takes:  The Landscape of Discontent,” in New York
Beat, April 25, 1984.
Strongin, Elyse, “Reviews,” in Pan Arts
, Spring 1984.
Bankowsky, Jack, “Civilization and the Landscape of Discontent” and “Still Life with Transaction,” in East Village Eye
, July 1984.
Smith, Roberta, “The East Village Art Wars,” in Village Voice,
July 17, 1984.
Cotter, Holland, “Civilization and the Landscape of Discontent,” in Arts
Magazine, Summer 1984.
Alloway, Lawrence, “Artists’ Book:  Pontormo’s Diary,” in Art in America
, Summer 1984.
Rubenstein, Betty, “Art from Two Worlds:  The Avant-garde and the Earthy Share Gallery,” in Tallahassee Democrat,
August 31, 1984.
Murphy, Jay, “Commercialization and Color of Art,” in Florida Flambeau
, September 4, 1984.
Longo, Robert, “Preface,” in Forced Sentiment
(catalogue), December 1984.
Smith, Roberta, “Group Therapy,” in Village Voice
, December 25, 1984.
Jones, Alan, “Reviews:  New Capital, Hutchinson, Bleckner,” in New York Talk
, December 1984.

1985  
Smith, Roberta, “Give Art a Chance,” in Village Voice, January 1, 1985.
Levin, Kim, “Mumbo Jumbo,” in Village Voice
, January 1, 1985.
Biegler, Beth, “The New Capital:  Ideal Products from Perfume to Floor Wax,” in East Village Eye
, February 1985.
Johnson, Karen E., “Representation: Construction of a Third Term,” unpublished paper, February 1985.
Linker, Kate, “The New Capital,” in Artforum
, March 1985.
Thomas, Walter, “Special Effects,” in New York Talk
, March 1985.
Sax, George, “‘World View’, Explores Aesthetics of Photos,” in Buffalo
News, Tuesday, March 5, 1985.
Geist, William E., “About New York:  Tourists Descend on a Center of the Avant Garde,” in The New York Times
, Saturday, March 30, 1985.
Robinson, Walter, “The New Capital,” in Art in America
, April 1985.
Moorman, Margaret, “Forced Sentiment,” in Art News
, April 1985.
Indiana, Gary, “The Rest of Everything,” in Village Voice
, April 30, 1985.
Nedonchelle, Catherine, “Paravision,” in City Magazine International
, No. 11, (May 1985).
Indiana, Gary, “Paravision,” in Village Voice
, May 28, 1985.
Haveman, Mariette, “Le Grand Cadavre,” in Zien Magazine
, No. 8 (1985).
Van Der Kaap, Gerald, and Klashorst, Peter, “Cafe des Arts:  Kaap & Klashorst Interview Collins & Milazzo,” in Zien Magazine
, No. 8 (1985).
Indiana, Gary, “The Collins & Milazzo Effect,” in Village Voice
, July 2, 1985.
Murphy, Jay, “Profiles ‘85,” in Art Papers:  Covering the Arts in the Southeast
, Vol. 9, No. 2 (March/April 1985).
Siegel, Jeanne, “The Artist/Critic of the Eighties, Pt. I:  Peter Halley and Stephen Westfall,” in Arts Magazine
, September 1985.
Hornbacher, Sara, “Video: The Reflexive Medium (Editor’s Statement),” in Art Journal
, Vol. 45, No. 3 (Fall 1985).
Pincus-Witten, Robert, and Greenfield-Sanders, Timothy, “The New Irascibles,” in Arts Magazine
, September 1985.
Phillips, Lisa, “High Styles:  Twentieth-Century American Design” (catalogue), Whitney Museum of American Art, New York, September 1985.
Cameron, Dan, “The Other Phillip Taaffe,” in Arts Magazine
, October 1985.
McCormick, Carlo, “pOPOMETRY,” in Artforum
, November 1985.
Lurie, David, “Persona Non Grata,” in Arts Magazine,
December 1985.
Jones, Alan, “Cult of Decorum at Tibor De Nagy,” in New York Talk
, December 1985.

1986  
Bankowsky, Jack, “Yuppie Sublime:  The Other East Village,” in East Village:  A Guide.  A Documentary (New York:  Egret Publications, 1986).
Robinson, Walter, “Peter Schuyff at Pat Hearn,” in Art in America
, February 1986.
Decter, Joshua, “Cult and Decorum,” in Arts Magazine
, March 1986.
Indiana, Gary, “Formal Wares,” in Village Voice
, March 25, 1986.
Indiana, Gary, “Liquid Memory, Solid Objects,” in Village Voice
, April 1, 1986.
Perl, Jed, “Winter Notebook:  Polemic on ‘Cult and Decorum’,” in The New
Criterion, Vol. 4, No. 8 (April 1986).
Sichel, Andy, “The Next Hurrah?  Some Say PoMo,” in Downtown
, No. 6 (May 7, 1986).
Cameron, Dan, “Pretty as a Product,” in Arts Magazine
, May 1986.
Jones, Alan, “Up Against the Wall,” in New York Talk
, June 1986.
Cameron, Dan, “Paravision,” in Figura
(Seville, Spain), No. 6 (1986).
Arning, Bill, “Update ‘85-’86:  White Columns” (catalogue), New York, June 10 - June 28, 1986.
Mahoney, Robert, “Time After Time,” in Arts Magazine
, Summer 1986.
Huntington, Robert, “The Artists Deconstruct and the Viewer Fills in the Blanks,” in The Buffalo News
, June 6, 1986.
Munhnic, Suzanne, “Commodity-Culture Art Rides Again,” in Los Angeles
Times, Saturday, July 26, 1986.
Knight, Christopher, “L.A. Invasion of ‘It’,” in Los Angeles Herald Examiner
, Sunday, August 10, 1986.
Relya, Lane, “Cool Art, Hot Commodities,” in L.A. Weekly
, Vol. 8, No. 38 (August 15-21, 1986).
Westfall, Stephen, “The Synthetic Sublime,” in L.A. Weekly
, Vol. 8, No. 38 (August 15-21, 1986).
Masheck, Joseph, “China-Trade:  Discourse with W.D. Barnes,” in Arts
Magazine, September 1986.
Pozzi, Lucio, “On Collins & Milazzo,” in Il Giornale dell’arte
, Turin, Italy, October 1986.
Dickoff, William W., “The Hypermodern Art Effect,” in Wolkenkratzer Art
Journal, No. 13, Vol. 3 (1986).
Hume, Christopher, “Exhibit Abounds with Messy Vitality,” in The Toronto
Star, Friday, October 3, 1986.
McGill, Douglas C., “Art People: Collins & Milazzo — Successful Partnership,” in The New York Times
, Friday, October 17, 1986.
Zimmer, William, “Modern Sleep,” in The New York Times
, Friday, November 7, 1986.
Lewis, Jo Ann, “Robin Rose at Fendrick,” in The Washington Post
, Saturday, November 8, 1986.
Levin, Kim, “Modern Sleep,” in Village Voice
, November 11, 1986.
Tomkins, Calvin, “The Art World: Between Neo- and Post-,” in The New
Yorker, November 24, 1986.
Werner, Hans, “Coming Soon:  Surdrealism,” in Canadian Art
, Vol. 3, No. 4 (Winter/December 1986).
Indiana, Gary, “Easy Pieces,” in Village Voice
, December 23, 1986.
Grenville, Bruce, “Ultrasurd,” in Parachute
, No. 45 (December 1986 - January /February 1987).

1987  
Everett-Green, Robert, “Ultrasurd,” in C Magazine, No. 12 (1987).
Pincus-Witten, Robert, “Introduction,” in Postminimalism into Maximalism:  American Art 1966-1986
(Ann Arbor, Michigan:  UMI Research Press, 1987).
Nolan, Sarah, “Conservateurs ‘New Wave’,” (‘New Wave’ Curators), from “Les Ambitieux,” in City Magazine International
, No. 30 (March 1987).
Levin, Kim, “The Antique Future,” in Village Voice
, March 10, 1987.
Indiana, Gary, “Future Perfect,” in Village Voice
, March 10, 1987.
Salvioni, Daniela, “Joel Otterson,” in Flash Art
, No. 133 (April 1987).
Ottmann, Klaus, “Modern Sleep,” in Flash Art
, No. 133 (April 1987).
Cameron, Dan, “Think Piece,” in Arts Magazine
, April 1987.
Indiana, Gary, “Futurisms:  A Conversation with Peter Nagy,” in Village
Voice, April 14, 1987.
Perls, Jed, “Artburn:  The State of the Art World in the ‘80s,” in Vogue
Magazine, May 1987.
Trimarco, Angelo, “In the Galaxy of the Late Modern,” in Il Mattino
, Tuesday, May 12, 1987.
Mahoney, Robert, “Abraham David Christian,” in Arts Magazine
, May 1987.
Aletti, Vince, “Shooting from the Hip,” review of Thought Objects
, in VLS (Voice Literary Supplement), Village Voice, May 1987.
Stretch, Bonnie Barrett, “Contemporary Photography,” in Art & Auction
, May 1987.
Czoppan, Gabi, “The Ironic Sublime bei Suzanne Albrecht,” in München Stadtzeitung
, No. 13 (June 1987).
“Lust an der Farbe und ironisches Versteckspiel,” in Süddeutsche Zeitung
, Feuilleton, No. 132 (June 11, 1987).
Woodruff, Mark, “‘The Antique Future’:  Articulating the Void,” in New Art
Examiner, Vol. 14, No. 10 (June 1987).
Virshup, Amy, “The Fun’s Over,” in New York Magazine
, June 22, 1987.
McCoy, Pat, “The Antique Future,” in Artscribe
, Summer 1987.
Izzo, Arcangelo, “Scultura al Supermercato,” in Il Giornale di Napoli
, Friday, June 4, 1987.
Westfall, Stephen, “Abraham David Christian,” in Art in America
, July 1987.
Glueck, Grace, “What Do You Call Art’s Newest Trend:  ‘Neo-Geo’ ... Maybe,” in The New York Times
, Monday, July 6, 1987.
Phelan, Robert J., “New Traditions:  Thirteen Hispanic Photographers” (catalogue), 1987, New York State Museum/State Edition Report, Albany, NY.
Castle, Frederick Ted, “Occurrences / New York,” in Art Monthly
, No. 108 (July/August 1987).
Glueck, Grace, “Tastemakers,” in The New York Times Magazine
, Sunday, August 30, 1987.
Groot, Paul, “On Peter Klashorst — Artist in Amsterdam and New York:  Peter Pan in Empty Space,” in Wolkenkratzer Art Journal
, No. 5 (September - October 1987).
Hoffmann, Justin, “Young Gallery-Owners (Pt. 2),” in Wolkenkratzer Art Journal
, No. 5 (September-October 1987).
Signorile, Michelangelo, “Artbreak Hotel:  Carlton Arms,” in The Face
, No. 90 (October 1987).
Rubey, Dan, “The Antique Future,” in Art News
, October 1987.
Tuttle, Lisa, “Small Scale Sculpture / LARGE SCALE SCULPTURE” (catalogue), The Atlantic College of Art Gallery, Atlanta, Georgia, October 10 - November 14, 1987.
McGlynn, Tom, “The New Poverty,” in 108 East Village Review,
No. 9 (November/December 1987).
Miller, John, “Jacques Lacan’s Television,” in Artscribe International
, November/December 1987.
Glueck, Grace, “Collins & Milazzo:  Tastemakers,” in Il Giornale dell’arte
, Vol. V, No. 51 (December 1987).
Cameron, Dan, “Opening Salvos, Part One,” in Arts Magazine
, December 1987.
Hershkovits, David, “The Media is Not the Massage:  Are You Ready for Collins and Milazzo?” in Paper
, December 1987 - January 1988.

1988  
Heartney, Eleanor, “The New Poverty,” in Artnews, January 1988.
Heartney, Eleanor, “Rehabilitating Abstraction,” in New Art Examiner
, January 1988.
Smith, Roberta, “Art:  ‘Media Post Media’, A Show of 19 Women,” in The
New York Times, January 15, 1988.
Virshup, Amy, “Get Me Rewrite,” Art Beat/Fast Tracks, in New York
Magazine, January 25, 1988.
Levin, Kim, “Media Post Media,” Choices, in Village Voice
, January 26, 1988.
Indiana, Gary, “Quick!  Read This!” in Village Voice
, January 26, 1988.
Reginato, James, “Fun de Siecle,” in Avenue Magazine
, February 1988.
Larson, Kay, “Table Turning,” in New York
, February 8, 1988.
Greenspan, Stuart, “Am I Good Enough to Own this Painting,” in Avenue
Magazine, February 1988.
Boettger, Suzaan, “As the Art World Turns,” in Critique of America
, February/March 1988.
Heartney, Eleanor, “Review: Media Post Media,” in Artnews
, April 1988.
Pozzi, Lucio, “Cumulus from America: Capillary Transactions,” in Parkett
Magazine, No. 18 (1988).
Woodruff, Mark, “Media Post Media,” in New Art Examiner
, May 1988.
Salvioni, Daniela, “Media Post Media,” in Flash Art
, May 1988.
Miller, John, “Media Post Media,” in Artscribe
, May 1988.
Goldberg, Vicki, “The Borrowers: How They Play the Game of Appropriation Today,” in American Photography
, May 1988.
McGill, Douglas C., “Art People: Collecting Paintings for the New Merchant-Ivory Film, ‘Slaves of New York’,” The New York Times
, Friday, May 6, 1988.
Ottmann, Klaus, “The Art of the Deal,” in Flash Art
, May 1988.
McEvilley, Thomas, “On Son of Sublime,” in Artforum
, May 1988.
Santere, Enzo, “Media Post Media,” in Juliet Art Magazine
, No. 37 (June 1988).
Ciavoliello, Giulio, “Salvatore Scarpitta,” in Juliet Art Magazine
, No. 37 (June 1988).
Kimmelman, Michael, “Diversity of Lower Broadway Galleries,” in The New
York Times, June 3, 1988.
Wooster, Ann-Sargent, “A Collector’s Primer,” in 7 Days
, June 8, 1988.
Smith, Roberta, “Group Shows Revive the Jaded Art Palate,” in The New
York Times, Friday, June 17, 1988.
Smith, Roberta, “Group Show Survey: Downtown Galleries,” in The New
York Times, Saturday, June 18, 1988.
Dobbels, Daniel, “Abraham David Christian dans ses petits papiers,” in Liberation
, August 11, 1988.
Woodruff, Mark, “Collins & Milazzo:  Doing It Their Way,” in Taxi
, September 1988.
Pincus-Witten, Robert, “Being Twins,” in Arts Magazine
, October 1988.
McEvilley, Thomas, “Marginalia:  Fils du Sublime,” in Art Press
, No. 130, November 1988.
Perls, Jed, “Announcements,” in The New Criterion
, November 1988.
Myers, Terry R., “Lawrence Carroll’s Boxes,” in Arts Magazine
, December 1988.
“Special New York Issue,” in L’Uomo
, Vogue, No. 191, December 1988.
Gardner, Colin, “New Poverty:  Conceptual Triumph or Smoke Screen?” in Los Angeles Herald Examiner
, Friday, December 9, 1988.
Marks, Ben, “Impoverished Dialogue,” in Artweek
, December 24, 1988.
Moorman, Margaret, “Primary Forms, Mediated Structures,” in Art News
, December 1988.
Kazanjian, Dodie, “Talent Scouts,” in HG Magazine
, December 1988.

1989  
Tomkins, Calvin, “What’s In, What’s Out, What’s What,” in The New York Times, Sunday, January 1, 1989.
Hinson, Mark, “Dynamic Duo:  Tallahassee Native Brings New York Style to the Home Turf,” in Tallahassee Democrat
, Sunday, January 1, 1989.
“Hybrid Neutral:  Exhibition Update,” in I.C.I. Newsletter
, Vol. 4, No. 1 (Winter 1989).
Virshup, Amy, “Scouting Art’s New Territory,” in Manhattan, Inc.
, January 1989.
Ball, Edward, “Pre-Pop Post-Appropriation,” in 7 Days
, February 22, 1989.
Alexander, Max, “Now on View, New Work by Freelance Curators,” in The
New York Times, Sunday, February 19, 1989.
Alexander, Max, “Slaves to their Art,” in The Boston Phoenix
, Section 3, March 24, 1989.
Stein, Jerry, “ Art,” in The Cincinnati Post,
Saturday, March 25, 1989.
Jones, Alan, “Vom ‘Neo-Geo’ to ‘Pre-Pop Post-Appropriation’ Kunst und: Abwarten,” in Berliner Kunstblatt
, No. 62 (March-May 1989).
Robinson, Walter, “Timothy Greenfield-Sanders,” in Art in America
, April 1989.
Findsen, Owen, “Some Art is Like Jazz, Just Dive In and Dig It,” in The Cincinnati Enquirer,
Tuesday, April 11, 1989.
Schwendenwien, Jude, “Pre-Pop Post-Appropriation,” in Tema Celeste
, No. 20 (April-June 1989).
Decter, Joshua, “Pre-Pop Post-Appropriation,” in Flash Art
, May 1989.
Morgan, Robert C., “Pre-Pop Post-Appropriation,” in Arts Magazine
, May 1989.
Rimanelli, David, “Pre-Pop Post-Appropriation,” in Artforum
, May 1989.
Straus, Dr. Marc, “To the Editor:  More About Art and Ethics,” in The Journal of Art
, Vol. 1, No. 5 (May 1989).
Schwendenwein, Jude, “Pre-Pop Post-Appropriation,” in Tema Celeste:  Rivista d’arte contemporanea
, No. 20 (April-June 1989).
“Hybrid Neutral:  Modes of Abstraction and the Social,” Exhibition Update, in ICI Newsletter
, Vol. 4, No. 2 (Spring/Summer 1989).
“Hybrid Neutral:  Exhibition Update / Haim Steinbach and Meyer Vaisman,” in I.C.I. Newsletter
, Vol. 4, No. 2 (Spring/Summer 1989).
Pincus-Witten, Robert, “Entires:  Geist, Zeitgeist, and Breaking the Zero Barrier,” in Arts Magazine
, October 1989.
Avgikos, Jan, “Pre-Pop Post-Appropriation,” in Artscribe International,
Summer 1989.
Caley, Shaun, “Art at the End of the Social,” in Flash Art News
, No. 147 (Summer 1989).
Patron, Eugene T., “Dynamic Duos,” in Exposure
, Summer 1989.
Atkins, Robert, “Scene & Heard,” in Village Voice
, June 27, 1989.
Kazanjian, Dodie, “Cube Roots,” in Vogue
, September 1989.
Leslie, Jennifer, “Curators Promote Conceptual Art,” in The Daily Campus
, Wednesday, September 6, 1989.
Fox, Howard N., “In Civil War,” in Robert Longo
, Los Angeles County Museum of Art, and Rizzoli, NY, 1989.
Jarmusch, Ann, “Artist Rauschenberg Kicks Off SMU Series,” in Dallas Times
Herald, Wednesday, September 6, 1989.
Newhall, Edith, “Fall Preview,” in New York Magazine
, September 11, 1989.
Trippi, Laura, Strange Attractors:  Signs of Chaos
(catalogue), The New Museum, September 14 - November 26, 1989.
Jones, Alan, “Business:  Beyond the Valley of the Art Dealers,” in Contemporanea
, Vol. II, No. 7 (October 1989).
“Collections:  Mera and Donald Rubell,” in Galeries Magazine
, No. 33 (October - November 1989).
Myers, Terry R., “Strange Attractors:  Signs of Chaos,” in Flash Art,
No. 14 (November-December 1989).
Nechvatal, Joseph, “Hyperframes:  A Post-Appropriation Discourse,” in M/E/A/N/I/N/G
, No. 6 (November 1989).
Koslow, Francine A., “Collins & Milazzo:  Curators or Commodities Brokers,” in Contemporanea
, Vol. II, No. 9 (December 1989).
Wilson, Beth, “Can Art Survive Theory:  Holt Quentel from E to 3 and Back Again,” in Arts Magazine
, December 1989.
“Hybrid Neutral:  Modes of Abstraction and the Social,” Exhibition Update, ICI Newsletter,
Vol. 4, No. 1 (Winter, 1989).

1990  
Masheck, Joseph, “Painting in Double Negative:  Jonathan Lasker’s Third-Stream Abstraction,” in Arts Magazine, January 1990.
Jones, Alan, “Buena Vista,” in Tema Celeste
, No. 24 (January-March 1990).
Smith, Roberta, “Minimalism On the March:  More and More, Less and Less,” in The New York Times
, January 26, 1990.
“The Last Laugh,” in The New Yorker
, January 29, 1990.
Myers, Terry R., “From the Junk Aesthetic to the Junk Mentality,” in Arts Magazine
, February 1990.
Smith, Roberta, “Sal Scarpitta,” in The New York Times
, February 23, 1990.
“Salvatore Scarpitta,” in The New Yorker
, February 26, 1990.
Deitch, Jeffrey, “Art Dealers:  Lisa Spellman,” in Galeries Magazine, No. 35 (February-March1990).
Riley, Charles II, “Dynamic Duo,” in Art & Auction
, March 1990.
“Priorities – ‘Token Gestures’,” in 7 Days
, March 7, 1990.
Shottenkirk, Dena, “Buena Vista,” in Contemporanea
, Vol. III, No. 3 (March1990).
Cone, Timothy, “Art and the Law,” in Arts Magazine
, March 1990.
Myers, Terry R., “Group Show,” “ Ford Beckman,” in Lapiz,
Vol. 8, No. 66 (March 1990).
“Group Show,” in The New Yorker
, April 2, 1990.
“Christopher Youngs Speaks with Sandra Simpson,” in S.L. Simpson
Gallery (1980-1990), Toronto, Canada, 1990.
Ostrow, Saul, “Sal Scarpitta,” in Arts Magazine
, May 1990.
Grasso, Sebastiano, “Teatrino:  Con simboli e allegorie – Paladino,” in Il corriere della sera
, Sunday, May 6, 1990.
Vettese, Angela, “Mimmo Paladino:  Opere senza spiegazioni ma con tante allusioni,” in Il sole zuore
, May 1990.
“L’Exposition Imaginaire:  The Art of Exhibiting in the Eighties,” in Forum
, No.1 (Jan/Feb. 1990).
Adcock, Craig, “L’arte di essere critici d’arte” (The Art of Being Art Critics), in Tema Celeste, No. 25 (April-June 1990).
“Ford Beckman at Tony Shafrazi and Scott Hanson,” in Art in America
, No. 7 (July 1990).
van Nieuwenhuzen, Martijn, “L’Exposition imaginaire:  The Art of Exhibiting in the Eighties,” in Flash Art
, Vol. XXIII, No. 153 (Summer 1990).
“Fall Preview:  Scarpitta Down and Dirty,” in New York Magazine
, September 10, 1990.
“Wall Patrol,” Cover Magazine
, September 1990.
Smith, Roberta, “Works From the 80’s With a Certain Optimism,” in The New York Times
, Friday, September 21, 1990.
Reisman, David, “Token Gestures,” in Artscribe International
, September/October 1990.
“Sal Scarpitta,” in The New Yorker
, October 8, 1990.
Gilbert, Elizabeth, “Galleries:  Just Popping By,” in Downtown Express
, October, 1990.
Heartney, Eleanor, “La Critique d’Art Americaine dans le Sillage des Annees 80,” in Art Press
, No. 151 (October 1990).
Schjeldahl, Peter, “Meaning Nothing,” in the Village Voice
, October 2, 1990.
“The Last Decade Chez Shafrazi,” in Liberation
, October 11, 1990.
“Sal Scarpitta,” in The New Yorker
, October 15, 1990.
“The Last Decade:  American Artists of the 80’s,” in The New Yorker
, October15, 1990.
“The Last Decade:  American Artists of the ‘80s,” in The New Yorker
, October 22, 1990.
Heartney, Eleanor, “Le critique d’art americaine dans le Sillage des annees 80,” in Art Press
, No. 151 (October 1990).
Durand, Regis, “Nothing But the Exorbitant Thing...,” in Cahiers De La
Creation Contemporaine, No. 1 (October 1990).
Denizot, Rene, “Et Dieu Dans Tout Ca?” in Galeries Magazine
, October/November 1990.
Benderson, Bruce, “The Well-Kept Glass House of Collins & Milazzo,” unpublished, November 1990.
“Art,” in The New Yorker
, Nov. 12, 1990.
Heartney, Eleanor, “Critical Acumen in the ‘80s,” in New Art Examiner, November 1990.
Jones, Alan, “A Bridge Between Ideas and Investment,” unpublished, 1990.
Paparoni, Demetrio, “Trenta cavalli per ‘La sposa di Messina’,” in Tema
Celeste:  Arte Contemporanea, Nos. 27-28 (Nov/Dec. 1990).
Heartney, Eleanor, “Sal Scarpitta,” in Art in America
, December 1990.
Mahoney, Robert, “Sal Scarpitta,” in Arts Magazine, December 1990.
Kuspit, Donald, “The Last Decade,” in Artforum
, December 1990.
Cremin, Ann, “Talk of the Trade:  What Makes Antoine Run?” in Art & Auction
, December 1990.
Cottingham, Laura, “The Last Decade,” in Contemporanea
, No. 23 (December 1990).
Jones, Alan, “Foreword,” in The Art Dealers
  (N.Y.:  Clarkson N. Potter, Inc.,1990).
Saglio, Jerome, “Change Inc.,  in Galeries Magazine
, April/May1990.
Snitzer, Joan, “Token Gestures,” in Tema Celeste
, No. 26 (July-October 1990).
Pozzi, Lucio, “Farfalle e patate, trasgressioni di Sal Scarpitta,” in Il Giornaledell’Arte
, No. 83 (November 1990).
Siegel, Jeanne, ed., Art Talk – The Early 80’s,
(New York:  De Capo Press, 1988, 1990).
Durand, Regis, “Sarah Charlesworth:  Fragments d’un Paysage d’Images,” in Art Press
, No. 153 (December 1990).

1991  
Jones, Bill, “American Artists of the ‘80s,” in Tema Celeste, No. 29 (January-February 1991).
McCoy, Pat, “Sal Scarpitta,” in Tema Celeste
, No. 29 (January-February 1991).
“Who Framed Modern Art or the Quantitative Life of Roger Rabbit,” in The
New Yorker, Feb. 11, 1991.
“Who Framed Modern Art or the Quantitative Life of Roger Rabbit,” in The New Yorker
, Feb. 18, 1991.
Morsiani, Paul, “The Last Decade:  American Artists of the 80’s,” in Juliet Art Magazine
, No. 50 (December 1990 - January 1991).
Hayt-Atkins, Elizabeth, “Who Framed Modern Art or the Quantitative Life of Roger Rabbit,” in Galeries Magazine
, February/March 1991.
Cullum, Jerry, “For the ‘90s, the ‘Outside’ Looks Familiar,” in The Atlanta Journal / The Atlanta Constitution
, Friday, March 15, 1991.
Schjeldahl, Peter, “Creative Economy,” in the Village Voice
, April 2, 1991.
Perl, Jed, “Group Dynamics,” in Art & Antiques
, April 1991.
Micucci, Dana, “Candau’s Talk Shop,” in Art & Auction
, April 1991.
Jones, Alan, “Buena Vista,” in Tema Celeste
, No. 30 (March-April 1991).
Jones, Bill, “American Artists of the ‘80s,” in Tema Celeste
, No. 30 (March-April 1991).
Troncy, Eric, “All Quiet on the Western Front,” in Artscribe
, March-April 1991.
Lotringer, Sylvere, “Third Wave: Art and the Commodification of Theory,” in Flash Art
, No. 158 (May/June 1991).
Dagbert, Anne, “La Strategie d’Antoine Candau,” in Art Press
, No. 158 (May 1991).
Pinchbeck, Daniel, “Genetic Aesthetic,” in Connoisseur
, June 1991.
Liotta, Christine, “Who Framed Modern Art or the Quantitative Life of Roger Rabbit,” in Tema Celeste
, No. 3 (May-June 1991).
Pincus-Witten, Robert, “Timothy Greenfield-Sanders,” in Tema Celeste Art Magazine
, No. 31 (May-June 1991).
Di Pietratonio, Giacinto, “Salvatore Scarpitta,” in Flash Art
, No. 161 (April-May 1991).
Schor, Mira, “Patrilineage,” in Art Journal
, College Art Association, Summer 1991.
“Hommage to Collins & Milazzo,” in Frisson,
 Paris, France, 1991.
Perl, Jed, Gallery Going:  Four Seasons in the Art World,
(New York:  Harcourt Brace Jovanovich, 1991).
Yenawine, Philip, How to Look at Modern Art
(New York:  Harry N. Abrams, Inc., 1991).
Watte, Barrett, “The Worthiness of the Word,” in Artweek
, Vol. 22, No. 28 (September 5, 1991).
Cameron, Dan, “Shifting Tastes,” in Art & Auction
, September 1991.
Mercuri, Bernardo, “A New Low,” in Tema Celeste
, Nos. 32-33 (Autumn 1991).
Sommar, Ingrid, “Postmodern Power Station,” in Artnews
, October 1991.
“New York,” in Flash Art
, No. 160 (October 1991).
Mahoney, Robert, “The Right to Remain Silent,” in Flash Art, No. 160 (October 1991).
Smith, Roberta, “New Galleries in SoHo, From Glittery to Not So,” in The New York Times
, Friday, November 15, 1991.
Manga, “A New Low,” in Juliet Art Magazine
, No. 54 (October-November 1991).
Hinson, Mark, “Tallahassee Folks Make It in the Big Apple,” in Tallahassee Democrat
, Sunday, November 24, 1991.
Troncy, Eric, “No Man’s Time,” in Flash Art
, No.161 (November - December 1991).

1992  
Schwartzman, Allan, “The Big Chill,” in Connoisseur, February 1992.
Bravin, Karin, “Soho Untitled ‘92,” New York Connection
, 1992.
Halley, Peter and Avrilla, Jean-Marc, in Peter Halley:  Oeuvres de 1982 a 1991
, Musée d’art Contemporain de Bordeaux, Bordeaux, France, December 6, 1991 - February 2, 1992.
Hinson, Mark, “Late Swedish Art Collector Roos Had Connections with Tallahassee,” in Tallahassee Democrat
,  Friday, February 21, 1992.
Pincus-Witten, Robert, “Timothy Greenfield-Sanders,” in Tema Celeste
, No.34(January /March 1992).
Rosenberg, Barry A., “The City Influence” (catalogue essay), in The City Influence:  Bleckner, Halley, Lasker
, Museum of Contemporary Art, Wright State University, Ohio.
“BJC’s Edward Marsicano’s Short Story Published in Ridgefield Press,” in Thomasville (Ga.) Times-Enterprise,
Tuesday, February 4, 1992.
Cameron, Dan, “The Last Boy Scout,” in Art & Auction,
Vol. XIV, No. 8 (March 1992).
Turkle, Ann, “Tallahassee Connection is Strong in Refreshing ‘Fiction’,” in Tallahassee Democrat
, Sunday, May 10, 1992.
“Theoretically Yours,” in Flash Art
, Vol. XXV, No. 169 (Summer 1992).
“Aosta,” in Segno
, No. 115 (June 1992).
Yau, John, “Sal Scarpitta,” in Artforum
, May 1992.
Sola, Renato, “Frontiere della Deconcettualizzazione,” in Taxiart,
Vol. II, No. 5 (June - July 1992).
Levi, Paolo, “Giovani Informali,” in Capital
, No. 7 (July 1992).
“Up Front,” in Cover
, Summer 1992.
Beatrice, Luca, “Theoretically Yours,” in Tema Celeste
, No. 37-38 (Autumn 1992).

1993  
Cameron, Dan, “Arranging Things,” in Art & Auction, January 1993.
“Collins et Milazzo:  Les Patissiers,” in La Libre Culture
, February 10, 1993.
Campitelli, Maria, “Post-Dialectical Index,” Sala Comunale Palazzo Costanzi
, February 1993.
Smith, Roberta, “Donna Moylan,” in The New York Times
, March 1993.
Robinson, Walter, “Grand Salon,” in Art in America
, April 1993.
Micucci, Dana, “Independent Curators Restyle N.Y. Scene,” in International Herald Tribune
, Saturday-Sunday, April 24-25, 1993.
Napack, Jonathan, “HoJo Hosts Salon Fete,” in The New York Observer
, May 3, 1993.
“Collins & Milazzo Open ‘Gallery’ Space,” in Flash Art
, No. 170 (May-June 1993).
Smith, Roberta, “Shades of a Rebirth of Painting,” in The New York Times
, Friday, June 18, 1993.
Scherreik, Susan, “Real Estate:  Art Scene South of Soho,” in The New York Times
, Wednesday, July 28, 1993.
Riley, Charles, “Sketchbook:  Salon Style,” in Art & Antiques
, Summer 1993.
Haus, Mary, “Soho Salon,” in Elle
, September 1993.
“Talk of the Trade:  Trade Notes,” in Art & Auction
, October 1993.
Isaza, Patricia / Costa, Eduardo, “Art Mundo:  International Latin America in Brief,” in Flash Art
, Vol. 26, No. 172 (October 1993).
Perl, Jed, “A Closer Look,” in Vogue
, October 1993.

1994  
Rubinstein, Meyer Raphael, “Private Eyes:  Fabian Marcaccio,” in Art News, January 1994.
Schwabsky, Barry, “Julian Trigo / Grand Salon” (Reviews), in Artforum
, January 1994.
McClure, Nancy, “Tricia Collins is Shaping the Art World,” in Tallahassee Magazine
, January-February 1994.
Rian, Jeff, “Art Under Attack:  60-Minutes Sinks the Art World,” in Flash Art
, No. 174 (January/February 1994).
Cemin, Saint Clair, interviewed by Shirley Kaneda, in Bomb Magazine
, No. XXXXVII (Spring 1994).
“New York:  Claudia Zemborain and Julian Trigo,” in Tema Celeste
, No. 45 (Spring 1994).
Stein, Deidre, “Sandro Chia / Grand Salon” (Reviews), in Artnews
, April 1994.
Smith, Roberta, “For the New Galleries of the 90’s, Small (and Cheap) is Beautiful,” in The New York Times
, Friday, April 22, 1994.
Suter, W. Noel, “Alessandro Twombly / Grand Salon” (Review in Brief), in The New York Review of Art
, Vol. 1, No. 3 (May 1994).
“Jonathan Lasker:  Meaning Can Happen,” in Flash Art
, May/June 1994.
Baumgarten, Lauri,  “Rushmore Festival to Open in Woodbury,” in The Photo News
, Monroe, N.Y., June 22, 1994.
Nathan, Jean, “An Estate Stars As a Spanish Palace,” in The New York Times
, Thursday, June 23, 1994.
Lucianna, Katherine Hunter, “Life is a Dream,” in Stage Door
, Summer 1994.
“Donna Moylan:  Time, Space, Sticks and Stone,” in Artnews
, Summer 1994.
Drolet, Owen, “Peter Halley / Grand Salon” (Reviews), in Flash Art
, October 1994.

1995
   Pollack, Barbara, “New Spaces, Fresh Faces,” Gallery Beat, in Artnews Letter, Vol. XX, No. 10 (January 10, 1995).
Tempestini, Riccardo, “Scarpulla et Howey a Tossi,” Il Terreno
, January 18, 1995.
“Collins & Milazzo,” Comings & Goings
,” in Artnews, No. 2, Vol. 94 (February 1995).  Color photograph by Timothy Greenfield-Sanders.
Pacheco, Patrick, “Howard Johnson,” in “The Top 100 Collectors in America,” Art & Antiques
, March 1995.
Rubenstein, Raphael, “Counter-Resolution,” in Art in America,
April 1995.
Riley, Charles A., Color Codes:  Modern Theories of Color
(Hanover and London:  University Press of New England, 1995).
“Peter Halley,” in New York Magazine
, November 20, 1995.
“Peter Halley,” in The New Yorker
, November 27, 1995.
“Peter Halley,” in New York Magazine
, November 27, 1995.
Linker, Kate, Vito Acconci
, (Rizzoli:  New York, 1995),
“Bill Rice,” in New York Magazine
, December 25, 1995.
Bourriaud, Nicolas, “Arts Plastiques,” in Les Années 80,
edited by Anne Bony (Paris:  Editions du Regard, 1995).

1996
   Haden-Guest, Anthony, True Colors:  The Real Life of the Art World (N.Y.:  The Atlantic Monthly Press, 1996).
Hagen, Charles, “Elliot Schwartz” (Art in Review), in The New York Times
, February 16, 1996.
Aletti, Vince, “Elliot Schwartz” (Village Choices), in the Village Voice
, February 20, 1996.
“Today’s Spotlight:  Art Lecture,” in The Rockland Journal-News, March 21, 1996.
Kimmelman, Michael, “Sandro Chia” (Art in Review), in The New York Times
, June 7, 1996.
Kino, Carol, “Living-Room Galleries,” in The Atlantic Monthly
, July 1996.
Princenthal, Nancy, “Artist’s Book Beat,” in The Journal of Prints, Drawings, and Photography
, Vol. 1, No. 1 (September- October 1996).
Raynor, Vivien, “Surveying Realism in Celebration of Hopper,” in The New York Times
, Sunday, November 24, 1996.
Clarke, Kevin, “Portrait of Richard Milazzo,” in Kevin Clarke:  Portraits
, 1996.
Bal, Mieke, “The Discourse of the Museum,” in Thinking About Exhibitions
, edited by Reesa Greenberg, Bruce Ferguson, Sandy Nairne (London:  Routledge, 1996).

1997
   Fadda, Simonetta, “SOS da New York:  Librerie Solo a Fini di Lucro?” in Liberazione, Wednesday, 21 May 1997.
Bartolucci, Marisa, “The Art of Living,” in Town & Country
, August 1997.
Guasch, Anna Maria, “Art at the End of the Social,” El arte del siglo XX en sus exposiciones 1945-1995
. (Barcelona,:  Edicìones del Serbal, 1997).
Heartney, Eleanor, Critical Condition:  American Culture at the Crossroads
(New York:  Cambridge University Press, 1997).
Ardenne, Paul, Art:  L’Âge Contemporain:  Une Histoire des arts plastiques à la fin du XXe siècle
(Paris:  Èditions du Regard, 1997).
Hughes, Robert, American Visions:  The Epic History of Art in America
(New York:  Alfred A. Knopf, 1997).

1998  
Riley, Charles A., The Saints of Modern Art:  The Ascetic Ideal in Contemporary Painting, Sculpture, Architecture, Music, Dance, Literature, and Philosophy
(Hanover and London:  University Press of New England, 1998).
Maeda, Junko, “Peter Halley in the Eighties:  The Critical Shift,” in Peter Halley:  Painting as Sociogram 1981-1997, Kitakyusha Municipal Museum of Art, Japan, February 28 - March 29, 1998.
Tallmer, Jerry, “Reviving the Evergreen Review:  Barney Rosset’s Still Trying,” in The Villager, N.Y., May 1998.
Barney Rosset, “Art Auction for Evergreen,” No. 100 (Summer/Fall 1998), evergreenre-view.com/100/news/page2.

1999   Jones, Alan, “Malcolm Morley,” in Tema Celeste, January-February 1999.
Saltz, Jerry, “Double Vision,” in Village Voice
, N.Y., March 9, 1999.
Cameron, Dan, “Collins & Milazzo,” in “The East Village 1979-1989 – A Chronology,” in Artforum
, October 1999.
Nagy, Peter, “Dual Nature,” in Artforum
, October 1999.
Hoffberg, Judith A, “The Story of the Phoenix,” in Umbrella Review
, Vol. 22, No. 4 (December 1999).
Greenfield-Sanders,Timothy, “Collins & Milazzo,” in Art World
(New York:  Fotofolio/Artpost, 1999).
Kirwin, Liza, “EV in the Press,” Life and Health Library, 1999.

Kirwin, Elizabeth Seton, “It’s All True: Imagining New York’s East Village Art Scene of the 1980s,” dissertation submitted to the Faculty of the Graduate School of the University of Maryland at College Park in partial fulfillment of the requirements for the degree of Doctor of Philosophy, 1999.

2000   Greenfield-Sanders, Timothy, “Collins & Milazzo,” in Timothy Greenfeld-Sanders (Modena:  Emilo Mazzoli Editore, June-July 2000).
Smith, Roberta, “Chelsea Art Walk,” October 17, 2000.
Lanza, Gianluigi,  “Una storie Americana:  Longo alla Mazzoli,” in Ultime Notizie
, Modena, Saturday, November 11, 2000.
Jones, Alan, “I Don’t Want to Go to Chelsea, But I’m Going Anyway,” in Arte Americana:  Ultimo Decennio
, curated by Claudio Spadoni (Milan:  Mazzotta, 2000).
Guasch, Amma Maria, El arte último del siglo XX:  Del posminimalismo a lo multicultural
(Madrid:  Alianza, 2000).
Guasch, Anna Maria, “Prologue,” in Los Manifiestos del Arte Posmoderno
, edited by Anna Maria Guasch (Madrid:  Ediciones Akal, 2000).

2001  
Robinson, Walter, “Stars Come Out at L.A. MOCA,” in Artnet News, February 28, 2001.
Garcia-Fenech, Giovanni, “Rackstraw Downes’ Three Decades of the Real,” Artnet News, May 4, 2000.
Koplos, Janet, “A Pilgrim’s Projects,” in Art in America, June 2001.
Sylvere, Lotringer, French Theory in America
(New York and London:  Routledge, 2001).
Jones, Alan, “Jeff Koons,” in Tema Celeste
, November-December 2001.
Welchman, John C., Art After Appropriation:  Essays on Art in the 1990s
(San Diego:  University of California, 2001).

2002
   Robinson, Walter, in “Weekend Update,” in Artnet, January 22, 2002.
Livingston, Jane, “The Paintings of Joan Mitchell,” Whitney Museum of Art, N.Y., June 20 - September 29, 2002.
De Land, Colin, The Art Dealers
, edited by Laura de Coppet and Alan Jones (New York:  Cooper Square Press, 2002).
Rosen, Andrea, The Art Dealers,
edited by Laura de Coppet and Alan Jones (New York:  Cooper Square Press, 2002).

2003
   Higgs, Matthew, “’Zines for a Day:  On the Other Art Press – Writing the ‘80s,” in The Free Library, March 1, 2003.
“Ashley Bickerton Talks to Steve Lafreniere – The ‘80s Then – Interview,” Interactive Business Network Resource Library
, March 2003.
Rimanelli, David, “Time Capsules,” in Artforum
, April 2003.
Marchetti, Stefano, “Cercando un filo rosso nella babele del postmoderno:  David Salle alla Mazzoli di Modena,” in L’Evento
, October 23, 2003.
Pearlman, Alison, Unpackaging Art of the 1980s
(Chicago and London:  University of Chicago Press, 2003).

2004
   Riley II, Charles A., “Calculated Color Collisions:  Highlights from the Studio of Charles Clough” (catalogue), in Charles Clough Paintings at the Cutchogue,
New Suffolk Free Library, N.Y., July 3 - September 30, 2004.

2005  
Sandbye, Mette, “Tud og Tegning,” in Observer Danmark, March 18, 2005.
Mulholland, Neil, “Unpackaging the Art of the 1980s,” in The Art Book
, Vol. 12, Issue 2 (May 2005).
Cameron, Dan, “It Takes a Village,” in East Village USA
(New York:  New Museum, 2005).
Muniz, Vik, “The Land of Opportunity,” in Vik Muniz, Reflex:  A Vik Muniz Primer
(New York:  Aperture, 2005).
Sciaccaluga, Maurizio, “Robert Longo:  Il falò delle vanità,” in Arte
, May 2005.
Cotter, Holland, “Bill Rice,” in The New York Times
, Friday, September 16, 2005.

2006
   Robinson, Walter, “Bill Rice, 1931-2006,” in Artnet News, January 26, 2006.
Cotter, Holland, “Bill Rice, 74, Downtown Artist, Actor and Impressario, Dies,” in The New York Times
, Sunday, January 29, 2006.
Altaveer, Ian, “Chronology,” in The Downtown Book:  The New York Art Scene 1974-1984
, edited by Marvin J. Taylor (Princeton and Oxford:  Princeton University Press, 2006).
Tost, Tony, “A Note on ‘A Supplement to Imaging Language’,” February 9, 2006.
Robinson, Walter, “Book Report,” in Artnet Magazine
, 2006.
Language to Cover a Page:  The Early Writings of Vito Acconci
, edited by Craig Dworkin (Cambridge, MA:  MIT Press, 2006).

2007  
Pagliasso, GianCarlo, “Looking for the Guilty,” in Zeta News, January 2007.
Lantarón, Rubén del Valle, “Un Trazo de Nadin en La Habana, Centro de Arte Contemporáneo Wifredo Lam, Convento San Francesco de Asis,
Havana, Cuba, October/November 2007.

2008  
Mattioli Rossi, Laura, “For a Biography of Lawrence Carroll,” in Lawrence Carroll (Milan:  Charta, 2008).
Robinson, Walter, “Book Report:  Richard Milazzo’s Saint Clair Cemin:  Sculptor from Cruz Alta
,” in Artnet, August 2008.

2009  
Pagliasso, GianCarlo, “Criticismo Apologetico e Iconografìa del Nuovo Capitale,” in Zeta News, No. 86/87, January 2009.
Pagliasso, GianCarlo, “1984,” in Zeta News
, No. 79/80, June 2009.
Tonn, Henry F., “Evergreen Review,” Literary Magazine Reviews, in Newpages.com
, 2009.
Fuoco, Michele, “Omaggio a William Anastasi,” in La Gazzetta di Modena
, May 2009.
“Anastasi, l’autodidatta che aprì al concettuale,” in Avvenire d’Italia
, June 30, 2009.
Carravetta, Peter, Del Postmoderno:  Critica e culture in America all’alba del duemila
(Milan:  Bompiani, July 2009).
Tonn, Henry F., “Review,” in Newpages.com
, December 15, 2009.
Fuoco, Michele, “Modena, ritratto di citta nei versi di Richard Milazzo,” in La Gazzetta di Modena
, No. 353 (December 23, 2009).
Kirby, Olson, “The Mystery of Richard Milazzo in Evergreen Review
#120,” in Lutheran Surrealism, Friday, December 25, 2009.

2010
“The Word for ‘Love’ in Romanian is ‘Dragoste’:  Adrian Sangeorzan and Richard Milazzo at the Bowery Poetry Club,” in Insomina@NYU, January 18, 2010.
Weingarten, Roger, in Twenty Years After the Fall:  A Retrospective in Poetry and Prose
, edited by Andrei Guruianu (New York:  Parlor City Press, 2010).
“Flower Paintings di Ross Bleckner alla Galleria Mazzoli,” La Gazzetta di Modena
, October 8, 2010.
Feast, Jim, “Eastern Shadows
:  Book Review,” in Evergreen Review, No. 124 (September 2010).
Finch, Charlie, “the Thrift Shop Biennial,” in Artnet
, 2010.

2011  
Panaro, Luca, “Ross Bleckner,” in Flash Art, January/February, 2011.
Zelevansky, Lynn, “Life Is Just A Bowl of Cherries:  The Life and Art of Paul Thek,” in Paul Thek:  Diver, A Retrospective (New York:  Whitney Museum of American Art, 2011).
Pagliasso, GianCarlo, “Voglia:  A Review of Joseph Nechvatal’s Towards An Immersive Intelligence
,” 2011.
Allen, Gwen, “Effects:  Magazine for New Art Theory,” in Artists’ Magazine:  An Alternative for Art
(Cambridge, MA, and London, The MIT Press, 2011).
Pozzi, Lucio, “New Observations,” in Gwen Allen, Artists’ Magazine:  An Alternative for Art
(Cambridge, MA, and London, The MIT Press, 2011).
“Fabian Marcaccio:  Breaking with Conventions,” Latin Art Quarterly
, April 24, 2011.
“Il Deserto Dipinto,” in Il Giornale dell’Arte
, No. 309, May 2011.
Kennedy, Randy, “Peter Nadin:  Among the Piglets,” in The New York Times Magazine
, Sunday, July 3, 2011.
Gregori, Carlo, “Da ieri a domani:  Ritratto di un ritrattista,” in Gazzetta di Modena
, Modena, Italy, August 3, 2011.
Garofalo, Agate, “Nell’era del consumismo e postconcettualismo, tra apparenza e material,” in La Bottega editoriale
, No. 49 (September 2011).
Robinson, Walter, “Book Report,” in Artnet
, 2011.
Pagilasso, GianCarlo, La Retorica dell’Arte Contemporanea:  Collins & Milazzo e la Svolta Post-Neo Concettuale dell’Arte negli Anni ’80
, (Pasian di Prato [Udine]:  Campanotto Editore, 2011)
Lasker, Jonathan, “One’s Self, by Chance,” in Jonathan Lasker
, Timothy Taylor Gallery, London, November 2011.
Muniz, Vik, “The Land of Opportunity,” in Le Musée imaginaire (Avignon:  Actes Sud, 2011).

2012  
Russell, Andrew, “Art Net,” in The New York Observer, Sec. B., January 30, 2012.
Robinson, Walter, “The Ungovernables – The New Capital:  A Cheat Sheet,” in Artnet
, February 13, 2012.
Musumeci, Costanza, “Biography,” in Peter Halley
, Galerie Thomas Modern, Munich, September 9 - November 19, 2011.
Lasker, Jonathan, “Biography 1977-1985,” in Jonathan Lasker:  Early Works 1977-1985
, Cheim & Read Gallery, New York, March 2012.
Fuoco, Michele, “Paladino:  una monografica alla galleria di Emilio Mazzoli,” La Gazzetta di Modena
, March 25, 2012.
Lemaire, Gérard-Geroges, “Bibliothèque de l’amateur d’art:  La retorica dell’arte contemporanea,” verso
, April 18, 2012.
Pina, Emmanuele, “Il senso della critica e la retorica dell’arte contemporanea,” in www.artapartofculture.net
, July 27, 2012.
Spears, Dorothy, “Works Culled from Wanderlust Find a Home,” in The New York Times
, Sunday, September 2, 2012.
Mazzonis, Gregory, “1919-2007:  Notes toward a Biography – Writings and Works,” in Salvatore Scarpitta
(Milan:  Silvana Editoriale, 2012).
François Casset, French Theory: Foucault, Derrida, Deleuze & Co. all’assalto America (Paris: Editions La Decouverte, 2003, 2005; Milan: il Saggiatore, 2012).

2013   Sawon, Magdalena, “Excerpted Conversations with the Denizens of Downtown,” in Ward Shelley, Downtown Body Project.
Wells, Monique Y, “The Story of an Art Enthusiast’s Vision for a Forgotten Artist’s Work,” Visual Arts, American Center, France, org/front/index
.
Clairmont, Lola, “Creative Criticality:  Explorations of Art and Art History / Jeff Koons / Between You and Me:  Commodity Artfrom 1988,” lolaclairmont.wordpress.com
, May 20, 2013.
Rubinstein, Raphael, “The Lure of the Impure,” in Reinventing Abstraction:  New York Painting in the 1980s
, Cheim & Read Gallery, New York, June 2013.
Interview with Devon Dikeou, BMW Guide, October 11, 2013.

“Peter Nagy Interviewed by Philip Vanderhyden,” in Gretchen Bender: Tracking the Thrill (Wisconsin: Poor Farm Press, 2013). Exhibition catalogue for The Kitchen, New York.

2014   “A History of Peter Nagy’s Work,” Time Out, Delhi, January 3, 2014 “Center for Curatorial Studies, Bard College Receives Donation of the Papers of Influential Curator Tricia Collins,”
News
, CCS Bard Hessel Museum, New York, February 2014.
Tan, Lumi, “Post-Recently,” Dis Magazine
, 2014.
Carravetta, Peter, “Partecipazione e abbandono:  su Richard Milazzo,” in Peter Carravetta, La Funzione Proteo:  Ragioni della Poesia e Poetiche della Fine
(Rome:  Aracne, editrice, 2014).
Brandt, Amy, Interplay: Neo-Geo / Neoconceptual Art of the 1980s (Cambridge, MA, and London, England: The MIT Press, 2014).

2015   Drummond, James, Review of A Prayer in a Wolf’s Mouth: Poems 2013-14 and Like Branches to Wind: Poems 2008, in World Literature Today, January - February 2015.
A Prayer in a Wolf’s Mouth by Richard Milazzo features poetry about India and travel, making it our #FridayReads,” World Literature Today, February 13, 2015.
Vettese, Angela, “A Simmering Peace,” in Lawrence Carroll:  Ghost House, curated and edited by Gianfranco Maraniello, MAMbo / Museo d’Arte Moderna di Bologna (Bologna, Italy:  Corraini Edizioni, 2015).
Maraniello, Gianfranco, The Painting of Lawrence Carroll,” in Lawrence Carroll:  Ghost House
, curated and edited by Gianfranco Maraniello, MAMbo / Museo d’Arte Moderna di Bologna
(Bologna, Italy:  Corraini Edizioni, 2015).

Pagliasso, GianCarlo, “Ancora due or tre cose su Jeff Koons e poi basta,” in Arti Visive, Aprile 13, 2015.
“Five Sentences for Jefferson Hayman,” in Jefferson Hayman: The Heart Has Its Reasons, Italian translation by Ludovico Savoia (Italy: PH Neutra, 2015).
“William Anastasi: Reinventing Darwing,” in Drawing the Bottom Line, edited by Philippe Van Cauteren and Martin Germann, S.M.A.K., Museum of Contemporary Art, Ghent (Ghent, Belgium: Mercatorfonds, 2015).
Corrêa do Lago, Pedro, Vik Muniz: Catalogue Raisonné, 1987-2015 (“Everything So Far”), Vol. 1 (Brazil: Capivara Editora, 2015).
Laster, Paul, “8 Things to Do in New York’s Art World Before May 29,” Observer Culture, May 25, 2015.
N.A., “Mazzoli insieme a Bottura la mostra si fa ‘indigesta,’” in Gazzetta di Modena, May 30, 2015.
Baldi, Adriano Primo, “A Modena la crisi è finita,” in L’Agora di Bice, June 10, 2015.
N.A., “Ecco come sarà la mostra alla Manifattura di Modena,” in Gazzetta di Modena, June 18, 2015.
N.A., “Manifattura, mostra da 550 mila euro Cavazza: Un evento stradorinario,” in Prima Pagina (www.quotidiani-online.it), June 19, 2015.
N.A., “Chi è Richard Milazzo?” in Gazzetta di Modena, June 28, 2015.
Garofalo, Agata, “Come cambiava l’arte, nell’era del consumismo e postconcettualismo, tra apparenza e materia,” in Bottega Scriptamanent, July/August 2015.
Baldi, Adriano, and Stefano Bargi, “Il sindaco vuole gente con la testa nel mondo,” in Gazzetta di Modena, July 10, 2015.
Marelli, Filippo, “Mostra alla Manifattura, continua la polemica,” in www.trc.tv, July 10, 2015.
Codeluppi, Alessandra, “Vite al margine, malati e morte; ecco le mie scelte per la mostra,” in Il Resto del Carlino, July 12, 2015.
Varesi, Valerio, “‘Costi troppo alti’: L’arte format Expo spacca i modenesi,” in La Repubblica.it, July 19, 2015.
Fuoco, Michele, “è’ una esposizione di livello mondiale e valore profondo,” in Gazzetta di Modena, July 20, 2015.
N.A., “Il critic d’arte Richard Milazzo presenta Modena la mostra Il manichino della storia,” in Quotidano.net, July 24, 2015.
N.A., “La Pressa e gli orti urbani,” in Notizia de la Nuova Prima Pagina, July 24, 2015.
N.A., “Mostra Il manichino della storia, Milazzo: ‘Ho accettato la sfida della mostra perché amo Modena,’” in Il Resto del Carlino, July 24, 2015.
N.A., “Il manichino della storia: il curatore Milazzo presenta la mostra da 550 mila euro pubblici,” in Il Nuovo Giornale di Modena, July 25, 2015.
Codeluppi, Alessandra, “In Scena il Milazzo – ‘Modena ha coraggio a ospitare la mostra’,” in Il Resto del Carlino, July 25, 2015.
Stefano Luppi, “Ecco svelata la mostra tra gaffe e polemiche,” in Gazzetta di Modena, July 25, 2015.
D.B., “La tattica della confusione,” in Gazzetta di Modena, July 25, 2015.
Galeeta, Gianni, “Mostra umile, può essere un fallimento,” in Il Fatto del Giorno,” July 25, 2015.
N.A., “Mazzoli: ‘Dispiaciuto per il clima creato,” in Il Fatto del Giorno, July 25, 2015.
N.A., “Ecco 48 artisti, 10 nazioni e 90 opere / Al MATA quasi 5 mesi di esposizione,” in Il Fatto del Giorno, July 25, 2015.
N.A., “Mostra, 48 mila euro per me? Non abbastanza,” in Prima Pagina, July 25, 2015.
N.A., “Milazzo: ‘Il mio compenso? Non è alto,” in QN / Il Resto del Carlino, July 25, 2015.
Miserendino, David, “Lo spauracchio del fallimento,” in Il Resto del Carlino, July 26, 2015.
N.A., “Manichini notturni…oggi su Prima Pagina di Modena,” in punchparide.blogspot.com, July 26, 2015.
N.A., “Più soldi per Milazzo, si faccia una colletta!” in Modena Come, marketing, politica 2.0, smart city, July 27, 2015.
Pettinau, Marta, “La Manifattura Tabacchi di Modena si chiamerà MATA / Il nuovo centro per l’arte inaugurerà a settembre con opere in prestito da collezionisti del calibro di Mazzoli e Bottura,” in ARTribune, July 27, 2015.
Codeluppi, Alessandra, “Manifattura, mostre più salate?” in Il Resto del Carlino, July 27, 2015.
N.A., “Galli sfida Mazzoli: ‘Se sarà un flop ci inviti tutti a cena’.” E poi si dà agli anagrammi,” in Cronaca di Modena, July 27, 2015.
N.A., “Più soldi per Milazzo con Nomisma Spa,” in selezione5stelle.com, July 28, 2015.
N.A., “Milazzo? Se Philippe Daverio non sa chi sia,” in La Nuova Prima Pagina, August 3, 2015.
N.A., “MATA, a Modena ovvero come un vecchio spazio diventa luogo per l’arte inizando grazie al collezionisti, e con le polemiche,” in exibart.com, August 5, 2015.
Codeluppi, Alessandra, “MATA, Quadrifoglio ha ‘costretto’ la giunta ‘a cambiare la delibera e aggiungere l’lva’,” in Il Resto del Carlino, August 6, 2015.
N.A., “Arte concettuale Neo,” in Biblioteca, August 8, 2015.
N.A., “Il manichino della storia: L’arte dopo le costruzioni della critica della cultura,” in www.emiliaromagnaturismo.it, August 8, 2015.
N.A., “Mostra Manifattura Tabacchi / Cavazza: ‘Sarà un viaggio nell’arte contemporanea’,” in www.modenanoi.it, August 8, 2015.
N.A., N.T., in Modena Today, August 18, 2015.
N.A., “Il manichino della storia: L’arte dopo le costruzioni della critica della cultura,” in Notizie in un click, September 2015.
N.A., “Il Mata, da monastero a centro culturale,” in Arte, September 2015.
Fuoco, Michele, “Le scandalose mostre di Modena che in passato nessuno ha volute vedere,” in Prima Pagina, September 5, 2015.
N.A., “La mostra della Discordia, il curator sorride: ‘Non mi pagano abbastanza’,” in Modena Today, September 6, 2015.
N.A., “Sará un viaggio nell’arte contemporanea,” in adnkronos, September 7, 2015.
N.A., “Milazzo, la spesa lievita di 10mila euro – Il Comune paga anche telefono e hotel,” in Prima Pagina, September 8, 2015.
Malara, Vincenzo, “Via al soggiorno ‘dorato’ di Milazzo / Tra hotel, telefono… e colazioni,” in Il Resto del Carlino, September 8, 2015.
Manicardi, Barbara, “Il ritorno di Milazzo,” in Il Resto del Carlino, September 8, 2015.
N.A., “Manichino della storia: ecco il cavallo di Mimmo Paladino,” in Gazzetta di Modena, September 10, 2015.
N.A., “Mostra Manifattura, arrivata la prima scultura,” in Prima Pagina, September 11, 2015.
Malara, Vincenzo, “MATA, si aprono le danze / Ecco la prima scultura: il Cavallo di Paladino,” in Il Resto del Carlino, September 11, 2015.
N.A., “Il Cavallo di Modena l’opera di Paladino é arrivata al ‘MATA’,” in Gazzetta di Modena, September 11, 2015.
Malara, Vincenzo, “Pieno di curiosi al MATA ‘Il cavallo è suggestive, ma si è speso troppo’,” in Il Resto del Carlino, September 12, 2015.
Malara, Vincenzo, “E ancora più bello di quanto immaginassi,” in Il Resto del Carlino, September 12, 2015.
N.A., “La Fontana di Cucchi e la statua di Chia per il ‘Manichino’,” in Gazzetta di Modena, September 14, 2015.
N.A., “Il Cavalla quie è a casa sua,” in Gazzetta di Modena, September 14, 2015.
N.A., “Mimmo Paladino ha visitato il suo Cavallo,” in laprimapagina.it, September 15, 2015.
Pellerano, Fernando, “L’arte, che spettacolo,” in Corriere di Bologna, September 16, 2015.
N.A., “Il MATA di Modena incomincia dall’arte contemporanea,” in sassuoloonline.it, September 16, 2015.
N.A., “Il manichino della storia,” in www.artribune.com, September 16, 2015.
Manicardi, Barbara, “L’ombra dei costi,” in Il Resto del Carlino, September 17, 2015.
Marchetti, Stefano, “Pezzi prestigiosi, ma il grande pubblico resterà disorientato,” in Il Restino del Carlino, September 17, 2015.
Malara, Vincenzo, “Milazzo dribbla le polemiche e rilancia: ‘Il compenso? Le opera parlano da sole’,” in Il Restino del Carlino, September 17, 2015.
Malara, Vincenzo, “Il viaggio dentro al MATA / Tra sculture e dipinti che ‘dialogano’ tra loro,” in Il Restino del Carlino, September 17, 2015.
N.A., “MATA, Tempio dell’Arte,” in Il Resto del Carlino, September 17, 2015.
N.A., “C’è chi vuole minare il progetto, noi guardiamo oltre,” in Il Restino del Carlino, September 17, 2015.
N.A., “‘Il Manichino della storia’: 90 opere per stupire,” in Gazzetta di Modena, September 17, 2015.
Luppi, Stefano, “Il Manichino della storia svela i 90 capolavori da collezione,” in Gazzetta di Modena, September 17, 2015.
Fuoco, Michele, “Viaggio di rivelazioni tra i grandi maestri del nostro tempo,” in Gazzetta di Modena, September 17, 2015.
N.A., “Il manichino della storia,” in www.artibune.com, September 16, 2015.
Luppi, Stefano, “I contrasti commenta di Kiefer tra carattere e arte,” in Gazzetta di Modena, September 17, 2015. (RM)
Luppi, Stefano, ‘“Il Manichino della storia”: 90 opere per stupire,” in Gazzetta di Modena. September 17, 2015.
Fuoco, Michele, Volume di 352 pagine, costerà 59 euro,” in Gazzetta di Modena, September 17, 2015.
N.A., “Manichino, occasione per Modena,” in Prima Pagina, September 17, 2015.
Gardinale, Luca, “Manifattura, Muazzarelli sig ode Il Manichino,” “Ocassione straordinaria per amare Modena,” in Prima Pagina, September 17, 2015.
Gardinale, Luca, “Milazzo Show: ‘Troppi soldi? Queste opera non hanno bisogno di essere giustificate’,” in Prima Pagina, September 17, 2015.
N.A., “Arte oltre lo spettacolo e la critica: Il manichino della storia,” in www.asknews.it, September 17, 2015.
N.A., “Capolavori dall; Ungheria E a Modena in scena il ’900,” in Bresciaoggi, September 17, 2015.
N.A., “Capolavori dall; Ungheria E a Modena in scena il ’900,” in Il Giornale di Vicenzia, September 17, 2015.
N.A., “MATA, Tempio dell’arte,” in il Resto del Carlino Modena, September 17, 2015.
Manicardi, Barbara, “L’ombra dei costi,” in il Resto del Carlino Modena, September 17, 2015.
Fuoco, Michele, “L’arte del Novecento sa rigenerarsi nella tradizione,” in Gazzetta di Modena, September 18, 2015.
N.A., “Mostra, ecco l’ultimo Basquiat: oggi l’apertura,” in Prima Pagina, September 18, 2015.
N.A., “Dal ‘Manichino’ ai ‘Fueros’, decine di eventi Musei e gallerie aperti Fino a tarda sera,” in Prima Pagina, September 18, 2015.
Malara, Vincenzo, “MATA, promozione cercasi Il sito web è ancora in Construzione,” in Il Resto del Carlino, September 18, 2015.
N.A., “Modena – Un Basquiat si aggiunge al Manichino della storia, in Gazzetta del Mattone, September 18, 2015.
Ferri, Anna, “Quel che resta dell’arte,” in notemodenesi, 18 September 2015.
N.A., “Il manichino della storia al MATA, Milazzo: “L’arte si è transformata in uno spettacolo,” in www.modenanoi.it, September 18, 2015.
Papi, Giancarlo, “L’arte contemporanea, giocattolo per lo spettacolo della cultura,” in Avvenire, September 18, 2015.
Luppi, Stefano, “Mata, primo atto: il pubblico accorre,” in Gazzetta di Modena, September 19, 2015.
Malara, Vincenzo, “Tutti in fila per il Mata ‘Opere straordinarie, sarà un grande successo’,” in Il Resto del Carlino, September 19, 2015.
Galli, Andrea, “Così Bottura e i premier valorizzana la città,” in Prima Pagina, September 19, 2015.
N.A., “Eventi,” in Corriere della Sera, September 19, 2015.
Parilli, Marcello, “Spazio all’arte, in Corriere della Sera, September 19, 2015.
Bonazzoli, Francesca, “De Dominicis, ‘il mago’ che si ispirava a Gilgamesh,” in Corriere della Sera, September 19, 2015. (?)
Andrea Rinaldi, “Mazzoli ‘Portai Basquiat e spazzai via i pregiudizi’,” in Corriere della Sera, September 19, 2015. (?)
N.A., “L’arte, che show,” in la Repubblica delle Donne, September 19, 2015.
Veronesi, Ferruccio, “Mostra al MATA, scommessa difficile da vincere,” in Il Resto del Carlino, September 20, 2015.
N.A., “L’arte – manichino Da indossare secondo le monde,” in Il Giornale di Vicenza, September 20, 2015.
N.A., “Arte e mostra,” in Il Giorno La Nazione, 21 September 2015.
N.A., “Arte contemporanea al Mata, più di seimila visitatori nei giorni del festival,” in il Resto del Carlino, September 22, 2015.
N.A., “Il Cavallo di Modena al MATA: guardo le foto,” in www.modenaonline.info, September 25, 2015.
Chiara Pagani, Chiara, “Per cambiare collezione basta il manichino giusto,” in la lettura, Corriere della Sera, September 27, 2015.
N.A., “Tutti in scena, Da Boetti a Schifano, da Basquiat at Prince: l’arte come spettacolo al MATA di Modena,” October 2015.
Respi, Lorenzo, “Arte-spettacolo – è di scena il contemporaneo,” in Arte, October 2015.
Marchetti, Stefano, “L’arte transformata in spettacola va in scena sul palco del ‘MATA’,” in Il Resto del Carlino, October 2015.
N.A., “L’idolo della voglia di Enzo Cucchi, Il Cavallo di Modena di Mimmo Paladino e Solitario di Sandro Chia: Tre sculture collocate all’esterno del MATA,” in Notizie in un click, October 2, 2015.
Ventavoli, Bruno, “Kiefer, Murakami & C: a Modena in vetrina i tesori del collezionismo private,” in La Stampa, October 3, 2015.
Pratesi, Ludovico, “L’arte? Un manichino che da spettacolo,” in La Repubblica, October 9, 2015.
N.A., “Mostra al MATA, Forza Italia: ‘E’ un fallimento, assessore si dimetta’,” in Forza Italia, October 20, 2015.
N.A., “Mostra al MATA: 8,626 Visitori, Forza Italia, bastava chiederlo,” in Il Resto del Carlino, October 22, 2015.
N.A., “Il Cavallo di Paladino? Gia visto a Faenza: Non è in’opera esclusiva per Modena,” in Il Resto del Carlino, October 22, 2015.
g.leo. “Pochi visitatori? Mi interessa la qualità!” in Prima Pagina, October 23, 2015.
N.A., “La mostra al MATA è ostata troppo,” in il Resto del Carlino, October 23, 2015.
Luppi, Stefano, “Il sonno della critica genera manichini,” in Il giornale dell’arte, October-December 2015.
Marchetti, Stefano, “L’arte transformata in spettacolo va in scena sul palco del MATA, in Il Resto del Carlino, October 31, 2015.
Marchetti, Stefano, “Arte contemporanea, emozione e contraddizioni,” in Cultura Evento Internazionale a Modena, November-December 2015.
Fuoco, Michele, “Le scandalose mostre di Modena che in passato nessuno ha volute vedere,” in Gazzetta di Modena, November 4, 2015.
Luppi, Stefano, “Il Manichino: dati sui costi di Cavazza. Ma Galli accusa,” in Gazzetta di Modena, November 6, 2015.
N.A., “Quarantotto artisti, una domanda: Cose’ l arte?” in Tustyle, November 9, 2015.
Marchetti, Stefano, “MATA, mostra meravigliosa, ma c’è chi grida: Fermatevi,” in Il Resto del Carlino, December 1, 2015.

2016   Sabau, Luminita, “Kevin Clarke: DNA Portraits,” in Kunstler: Kritisches Lexikon der Gegenwartskunst, Ausgabe 113 / Heft 1 / 1 Quartal 2016.
Larmon, Kevin, CB1 Gallery, Los Angeles, CA, 2016.
De Capa, Luigi, “The New Center for Art in Modena,” Urban Mirrors, November 24, 2016.
Bankemper, Joan, “A Good Run with Sal Scarpitta, 1983-1990,” in Scarpitta/Bankemper: 5 + 10 (New York - Paris - Turin: Edgewise Press, 2016).
N.A., “Viaggio nelle ‘ghost stations’ fra poesie e immagini, in Modena Today, December 23, 2016.
N.A., “Viaggio nelle ‘ghost stations’ fra poesie e immagini, in Geos News, December 23, 2016.
N.A., "La Castelfranco che fa raccontata con le foto,” in Gazzetta di Modena, December 28, 2016.
N.A., “Milazzo e Ferri presentano un volume sulle ‘Ghost Stations’,” in Il Resto del Carlino, December 29, 2016.

2017   N.A., “Ferri-Milazzo, se lo scatto diventa poesia,” in Il Resto del Carlino, January 3, 2017.
N.A., “Ferri-Milazzo, se lo scatto diventa poesia” (longer version), in Il Resto del Carlino, n.d.
Isaacs, John, “Art and About: Daniel Rothbart’s Meditation / Mediation,” in imby, January 10, 2017.
Pérez, Rolando, “Preface,” in Agorapoetics: Poetics After Postmodernism, edited by Rolando Pérez (Aurora, California: The Davies Group, Publishers, 2017).